Thanks to everyone who posted a review in the forum of Take That's gig in London on 3rd December.

Here's one of our favourites, written by Alibobs. Congratulations, a signed copy of the Beautiful World Tour Edition album will be in the post to you soon!

To read more reviews and add your own, click here.

The lights in the O2 arena went down and you could feel the rush of excitement as thousands of fans knew that Take That would be on stage any second. Graceful dancers slowly appeared on the b-stage to a calming piece of classical music and the main stage was filled with the image of space, a giant eyeball, stars and butterflies floating around planets - definitely not what I was expecting after the boy-band factory opener of last years tour! If you just walked in you might have thought you were in the wrong venue until we flew towards Earth (the Beautiful World?) and zoomed over a building in the shape of the TT logo. Podiums had appeared on stage in front of a Take That skyscraper, Reach Out began to play and the boys jumped up like Jack-in-the-boxes and started to sing.

After a powerful performance the boys settled down to enjoy a lap-dance, before allowing us girls to enjoy a pole-dance by Howard and Jason. Once again their dance moves blew me away -I was worried that some of the dancing would have been cut while Howard recovered from his operation, but luckily for us he span around and wiggled his bum like it was the easiest thing in the world. After last year's reinvention of It Only Takes A Minute I wasn't sure what to expect but, as always, the boys changed the song amazingly, keeping it fresh and exciting (although the choreography was maybe not as subtle as last year's sexy tango!). Mark reassured us that they weren't really sexist pigs (well, except Howard!) and they had a chat to us about how great it was to be on stage performing again. They were so grateful for the chance to perform and as modest as ever, which made me really glad to be there supporting them.

As soon as the first few bars of Patience began I knew it was going to be amazing - everyone got so excited as soon as they recognised it and Take That didn't disappoint. It was brilliant to hear everyone singing along and was really special to hear the song that started the new era of Take That! Next was Hold On, one of my favourites, sang beautifully by Mark, followed by I'd Wait For Life. Listening to it on my own I've never been a big fan of IWFL and often skip forward to something more upbeat, but hearing it live has converted me. The stillness on the stage, the slow-motion images on the screens behind and the perfect emotive vocals sent a small shiver down my spine - no crazy dances, scenery or stunts but a reminder of just how good their voices are together.

Take That left the stage then a man appeared on the B-stage accompanied by some tribal drumming. I looked at my friend to try to work out what was coming next. Even when Lloyd began to sing it took me a few lines to register that they were doing Relight My Fire. The main stage turned red and dancers carried a man out for sacrifice before the boys came on, wearing the most clothes I've ever seen during RMF! As always Relight was a spectacular showcase of outrageous costumes, dancing and most importantly fire - I couldn't believe it when I saw Howard's arm waving around covered in flames! Lloyd came back on stage and started singing "I think you're Crazy" which worked so well, really adding to the surreal drama of the song.

The next song was the amazing Rule The World and during this song the walkway came down and they walked across to the B-stage. I don't remember too much about that moment as I was frantically trying to clear memory on my camera - the boys would be so close to me and I didn't want to forget a moment of it! An enormous disco ball shone on the stage and the boys rotated around so they could all see everyone. A piano appeared and Gary began playing the most beautiful version of Could It Be Magic as dancers were lifted above on glowing rings. It looked so amazing as the rings began to tilt with the dancers poised, showering the crowds with confetti.

Now it was time for the audience to sing along - could we remember any of the old songs? Did they even have to ask?! "DO WHAT YOU LIKE!" "Take that.... AND PARTY!" Then it was time for Back For Good with the entire arena bursting into song and swaying - just brilliant. Finally the boys performed Everything Changes while Gary and Howard showed us their funky "Dad Dancing" - it was great to see them so relaxed and comfortable and just enjoying the show. Mike Stevens got his saxophone out and unfortunately it was time for them to return to the main stage.

All but Jason disappeared backstage and I knew this was the moment I had waited 15 years for - Jason's first live solo. He was amazing considering how nervous he said he was (had only sung it 35 times so far!) and managed to fill the room with his beautiful singing. I loved that he prepared by taking his shoes off, so sweet, and it made me wish that he had sung more on the last tour. Jason got a little philosophical and then DJ HD appeared on stage ready to "be the first one on the dance floor". Out came the rest of the band in hoodies - I never imagined that a group of sweaty, 30-something men in tracksuits could look SO hot!! There was some amazing dancing by everyone (including Mr Barlow!) during GGF and Sure, a big change in mood from Wooden Boat.

Time for Never Forget. A screen was brought across and a film of the boys walking down a road was played. Suddenly the boys popped through and started walking on treadmills, as behind them we saw the journey of the human race to show us "where we've come here from." Evolving humans, man on the moon, film stars, pop stars - a medley of characters walked across the stage and then appeared in the film. The timing was amazing, they must have been practising for hours to get it so perfect, and it really paid off. Then the infamous clapping began and the boys began to run. While singing. I'm half their age and can barely speak when I run, it just has to be seen to be believed!

Never Forget marked the end of the concert... Or so some people in my block thought. I could see a few people start to get their things to leave thinking the show was over, but I hope they realised what was still to come. The most spectacular encore in the form of Shine, troupes of dancers on screen and on stage and plenty of sparkle. The final song of the night was Pray, complete with classic cheesy dance moves! I did have my doubts about finishing the show without Never Forget, but Pray was a great alternative to end an amazing night with.

The night went so quickly, after such a long wait for the day to come, that I'm sure I have forgotten loads of things (probably a good thing since I've written too much already!)- there was so much happening at times it was hard to keep up! Take That, if you are reading, thank you! You had an awful lot to live up to after the Ultimate Tour but I think you may have done the impossible - It was a really amazing night.

So, what was my best bit of the night? It is so hard to decide because both the old and the new songs have different meanings and memories for me. I was rather pleased to fit into a medium t-shirt at the merchandise stand, but for me the highlight has to be those moments when the lights go up and you look around the arena to see 20,000 pairs of arms swaying and you hear 20,000 voices singing along to songs like Back For Good and Patience. Seeing so many fans joining in and being moved by the music is what a Take That show is all about.